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Store Machine Learning, Phillip Kalantzis-Cope
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Machine Learning, Phillip Kalantzis-Cope

$15.00

“Feedback is a method of controlling a system by reinserting into it the results of its past performance. If these results are merely used as numerical data for the criticism of the system and its regulation, we have the simple feedback of the control engineers. If, however, the information which proceeds backward from the performance is able to change the general method and pattern of performance, we have a process which may well be called learning.

Norbert Wiener. The Human Use of Human Beings: Cybernetics and Society (1950)

****

Machine Learning probes the interface between human perception and artificial intelligence by applying post‑industrial image‑making techniques to industrial and rural landscapes. Instead of relying on textual prompts, the project fed photographs into DALL·E’s first‑generation deep‑learning model—trained on some 400 million image‑text pairs— and challenged it to hallucinate entirely new interpretations of those scenes. These algorithm‑generated visions prompt critical reflection on emerging visual economies and the shifting locus of authorship: to what extent will creative agency reside with the human operator versus computational processes? What unforeseen visual realities might such synthetic re-imaginings disclose—realities beyond the reach of unaided human observation?

Machine Learning stages this inquiry, unsettling traditional notions of artistic production in an era increasingly defined by algorithmic vision.

——————

Phillip Kalantzis Cope attempts to make sense of techno-social relations in everyday life and visual culture. His work has been published, exhibited internationally, written about, and can be found in public and private collections.

www.phillipkalantziscope.com

——————

Edition: 100

Page Count: 48

Dimensions: 5.8” x 8.3”

Format: Saddle Stitch

ISBN: 978-1-7355008-6-7

——————

PRESS / LINKS:

  • Review, Photobook Journal, Paul Anderson

  • Computational Photography, Thinking About Photography, Darin Boville

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“Feedback is a method of controlling a system by reinserting into it the results of its past performance. If these results are merely used as numerical data for the criticism of the system and its regulation, we have the simple feedback of the control engineers. If, however, the information which proceeds backward from the performance is able to change the general method and pattern of performance, we have a process which may well be called learning.

Norbert Wiener. The Human Use of Human Beings: Cybernetics and Society (1950)

****

Machine Learning probes the interface between human perception and artificial intelligence by applying post‑industrial image‑making techniques to industrial and rural landscapes. Instead of relying on textual prompts, the project fed photographs into DALL·E’s first‑generation deep‑learning model—trained on some 400 million image‑text pairs— and challenged it to hallucinate entirely new interpretations of those scenes. These algorithm‑generated visions prompt critical reflection on emerging visual economies and the shifting locus of authorship: to what extent will creative agency reside with the human operator versus computational processes? What unforeseen visual realities might such synthetic re-imaginings disclose—realities beyond the reach of unaided human observation?

Machine Learning stages this inquiry, unsettling traditional notions of artistic production in an era increasingly defined by algorithmic vision.

——————

Phillip Kalantzis Cope attempts to make sense of techno-social relations in everyday life and visual culture. His work has been published, exhibited internationally, written about, and can be found in public and private collections.

www.phillipkalantziscope.com

——————

Edition: 100

Page Count: 48

Dimensions: 5.8” x 8.3”

Format: Saddle Stitch

ISBN: 978-1-7355008-6-7

——————

PRESS / LINKS:

  • Review, Photobook Journal, Paul Anderson

  • Computational Photography, Thinking About Photography, Darin Boville

“Feedback is a method of controlling a system by reinserting into it the results of its past performance. If these results are merely used as numerical data for the criticism of the system and its regulation, we have the simple feedback of the control engineers. If, however, the information which proceeds backward from the performance is able to change the general method and pattern of performance, we have a process which may well be called learning.

Norbert Wiener. The Human Use of Human Beings: Cybernetics and Society (1950)

****

Machine Learning probes the interface between human perception and artificial intelligence by applying post‑industrial image‑making techniques to industrial and rural landscapes. Instead of relying on textual prompts, the project fed photographs into DALL·E’s first‑generation deep‑learning model—trained on some 400 million image‑text pairs— and challenged it to hallucinate entirely new interpretations of those scenes. These algorithm‑generated visions prompt critical reflection on emerging visual economies and the shifting locus of authorship: to what extent will creative agency reside with the human operator versus computational processes? What unforeseen visual realities might such synthetic re-imaginings disclose—realities beyond the reach of unaided human observation?

Machine Learning stages this inquiry, unsettling traditional notions of artistic production in an era increasingly defined by algorithmic vision.

——————

Phillip Kalantzis Cope attempts to make sense of techno-social relations in everyday life and visual culture. His work has been published, exhibited internationally, written about, and can be found in public and private collections.

www.phillipkalantziscope.com

——————

Edition: 100

Page Count: 48

Dimensions: 5.8” x 8.3”

Format: Saddle Stitch

ISBN: 978-1-7355008-6-7

——————

PRESS / LINKS:

  • Review, Photobook Journal, Paul Anderson

  • Computational Photography, Thinking About Photography, Darin Boville

Immaterial Books is an independent publisher of contemporary art and literature on photo media and its practice.

Based in Champaign, Illinois

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